![]() The other key thing my gimp suit accomplishes is that it removes my identity. It frees me to leave my humanity behind and accept what's in store for me during play, and, from what Dominants I've played with have told me, helps the Dominant to stop seeing the human me and start seeing an object to use. Putting on my rubber suit and mask so all that shows is my shiny second skin is freeing. My rubber gimp suit is key to my transition into gimp headspace. Additionally, I want to leave all trappings of my own individuality and humanity behind I even leave human pronouns behind, and when I'm permitted to speak refer to myself as 'it' or 'gimp.' In my mind, a gimp exists to be just another toy or thing the Dominant has access to. ![]() When I'm in 'gimp mode' I want to be treated as an object, as a thing just something to be used and stored away when not needed. Being a gimp, at its core, is about separating oneself from humanity and individualism, about embracing being an object and a toy for your Dominant's use. ![]() For me, a gimp is a submissive object that submits completely to its owner something akin to a slave, but without the human identity. Well, that works in my mind, but it is hard to convey what a gimp is to others, and that makes it hard to find the kind of play I want or connect with other gimps out there. For the past few years I have been operating under the mentality that I can't define what I am in words, but when I see it, or feel it, I know it. For a few years I have identified as a gimp, so I was a bit taken aback when I realized I couldn't concisely define this term. ![]() Jon watches Pulp Fiction for the first time and is like, “What the fuck is this?” And he stays in the theatre as the credit crawl is going on and sees Stephen’s name.By GimpSkinFag I was recently asked this seemingly simple question and I found myself at a bit of a loss to answer it at first. The director also told a story about comedian Jon Lovitz, who, when he saw Pulp Fiction, was surprised to see he had a personal friend in the cast: “I heard a funny thing from Jon Lovitz, who knew Stephen Hibbert, the guy who played the Gimp, from The Groundlings. Sounds right up the Tarantino-film-universe’s alley. In terms of backstory, he was like a hitchhiker or somebody that they picked up seven years ago, and they trained him so he’s the perfect victim.” Butch knocked him out and then when he passed out he hung himself. Plus, Tarantino intended for the poor guy to die by the end of the film: “It doesn’t quite play this way in the movie, but in my mind when I wrote it, the Gimp’s dead. Apparently, The Gimp is a hitchiker who fell victim to Maynard and his brother. Now, thanks to a new interview Tarantino did with Empire, we finally have a little more info about the mysterious, giggling henchman. Treat yourself to 85+ years of history-making journalism. Maynard has The Gimp make sure Butch doesn’t escape-he does, of course-leaving the leather-dressed dude knocked out. If you’ll remember, we meet Stephen Hibbert’s BDSM-outfitted servant when Maynard chains up Butch in a pawnshop basement. Here’s another one for you: Our ever-so-brief time with The Gimp, from Pulp Fiction. Don't Tell Brad Pitt to Take His Shirt Off.
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